#matthew chuang
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Okay that dance scene to Nelly Furtado's "Maneater" at the wedding in Of An Age was everything.
#movies#australia#of an age#lgbtq#dancing#nelly furtado#maneater#elias anton#hattie hook#Goran Stolevski#Matthew Chuang
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Best Cinematography 2022
Winner
You Won’t Be Alone - Matthew Chuang
Nominees
Blonde - Chayse Irvin Living - Jamie D. Ramsay Men - Rob Hardy TÁR - Florian Hoffmeister Watcher - Benjamin Kirk Nielsen
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50. Film - Of An Age
Year - 2022 Director - Goran Stolevski Cast - Thom Green, Elias Anton, Hattie Hook Cinematographer - Matthew Chuang Rating - 9/10 For fans of - Call My By Your Name, Holding The Man
What it is.
In 1990s suburban Melbourne, a Serbian-born high schooler experiences an intense romantic experience with his friend’s older brother.
What rates it.
Does what many films cannot, and that is capture the lived experience of growing up as a European in the Australian suburbs where migrants have to give up their rich culture so that they can fit in with our abrasive, tasteless one.
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“How do you know I’m not a monster?”
“Do you think you are?”
“Not many people like me, though.”
“Because monsters only like other monsters.”
My First Summer (2020) directed by Katie Found
#my first summer#katie found#markella kavenagh#maiah stewardson#films#cinematography#matthew chuang#wlw movie#x
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Pretty Prizes by Daniele Luppi and Parquet Courts (featuring Karen O) from the album Milano - Director: Barnaby Clay
#music#daniele luppi#parquet courts#karen o#sean yeaton#max savage#anton riehl#austin brown#andrew savage#music video#soko#julian gross#barney clay#italian music#matthew chuang#jamie vezolles#steven berger#jacque piotrowski#tino schaedler#video#italian#barnaby clay#stéphanie sokolinski#karen lee orzolek#stephanie sokolinski
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You Won’t Be Alone (Goran Stolevski, 2022)
cinematography: Matthew Chuang
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Blue Bayou (2021)
Blue Bayou (2021) directed by Justin Chon cinematography by Ante Cheng , Matthew Chuang
#blue bayou#justin chon#stills#movie#movies#new orleans#cinematography#indie#imigration#korean#asian american
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9/25/20.
Posted a few weeks ago about the forthcoming new album from Pumice. Here is another new offering from the Soft Abuse label of Minneapolis. From the label notes:
“Matthew De Gennaro has quietly, steadily amassed a brilliant discography over the past two decades. Since his series of collaborative works with Alastair Galbraith, he’s focused on solo releases that touch upon folk concepts of the last hundred years, and has occasionally worked in collaboration with the likes of Stefan Neville [Pumice] and Scott Tuma [Souled American]. Originally from Michigan, De Gennaro now calls Indianapolis home, where he continues to write, record, and hone his craft.”
I was first enchanted by his 2013 album Chuang Tzu Motherfucker, recorded at his home in rural Michigan. This new album has a similar feel as it was recorded on the edge of town in a home studio in Kansas. His music touches on folk and American primitive guitar, but finds an unassuming and unique balance between the two.
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What I read last year
Favourite book of 2019 – Robert Fitzgerald’s translation of The Aeneid. I wasn’t prepared for just how exciting this story was. Fantastic from start to end, even when you know what’s going to happen next. I also hugely enjoyed Emily Wilson’s translation of The Odyssey, not least for her excellent introduction and its highlighting of lots of stuff to watch out for (especially all those brutal killings when Odysseus finally makes it home), and Pat Barker’s retelling of the Iliad from the point of view of Briseis, the young woman seized by Achilles to be his bed slave after her city is sacked during the siege of Troy.
Most exciting book – Eve Babitz’s Slow Days, Fast Company, her 1977 account of life in early 1970s Los Angeles. Also perhaps the most “masterly” book I’ve read in a long time – in my experience, most writing involves the writer getting it out there, usually using techniques they’ve built up over time; through SDFC’s collection of tales I felt I was reading what Babitz had decided was most appropriate for her readers to know. Extraordinary control. Loved it.
I would pair that with Patti Smith’s Just Kids, about her and Robert Mapplethorpe making themselves into artists in the very late 1960s/early 1970s New York – which feels like the total opposite of Babitz, ie Smith telling it how it was. Not particularly caring for her music – I loathed Horses as a 16-year-old – I was surprised how much I enjoyed/learned from her account of her life after she left home, struggling first to get by, then to make art, all as part of what was clearly a very special relationship.
Lara Alcock’s Mathematics Rebooted was my biggest learning experience – a wonderful journey through the elements of mathematics, beginning each chapter with something basic then taking it up past the point where most non-mathematician readers would fall off to something beyond. Every chapter I both learned something and found out what there was yet to learn.
As in 2018, I read four books in Chinese. Actually, two in “standard” Chinese and two in Cantonese. The Cantonese ones were a treat – a translation of The Little Prince and 香港語文: 聽陳蕾士嘅秘密, a collection of 20 Chinese essays and one Chinese poem translated into Cantonese. Who says it’s not a language of its own? Not the four writers who did the translations. The two others, a collection of essays from the early to mid 2000s by Chan Koonchung and a book-format edition of Being Hong Kong about various Hong Kong things (City Hall at 50, some food stuff, some Cantonese opera stuff, etc) were also worthwhile. Neither quite merit being translated into English, but both give a flavour of the things that exercise people in Hong Kong (or Chan’s case, of the things which exercised them in the early 2000s – a much more gentle set of concerns than those that bother them now).
Among the novels, Manjushree Thapa’s The Tutor of History was a standout. Set in the 1990s Nepal, it pulled off an astonishing feat of describing from scratch a society which most of us will never know. Sheila Heti’s Motherhood, a meditation mostly about whether to have a child or not, was also excellent in catching the feel of a person at a very specific and important juncture of her life.
Timothy Morton was an important discovery, especially Humankind. He tackles the question of what does it mean to be living now – in the Anthropocene, at a time when human beings are destroying many other living things and doing huge damage to much non-living stuff and comes up with some new answers – that maybe we have to take ourselves both more seriously and see ourselves as of rather less importance than we might like to think, especially when it comes to all those other living and non-things and stuff. Kind of practical in a bizarre way.
Walter Scheidel’s The Great Leveler and Francis Fukuyama’s Political Order and Political Decay are two tremendous overviews of where our societies have come from. Scheidel’s argument that throughout history, peace and economic growth have always led to ever-widening inequality poses a big challenge to the world. Fukuyama’s suggestion, continuing from The Origins of Political Order, that countries should build institutions before adding democracy points to another conclusion that merits serious thought.
Twyla Tharp’s The Creative Habit was my motivational book of the year. I would imagine it would be useful for anyone who has to come up with ideas and carry them through to completion.
Finally, Adele Faber & Elaine Mazlish’s Siblings Without Rivalry is a terrific book about what to do when your children say they want each other to die. Like the one other great book about raising children I’ve read – Ross Gree’s The Explosive Child – it’s not about what you should get your children to do, it’s about what you should do. Gree’s single greatest point – one I think I took to heart – is that when there’s one angry person in the room, try not to make it two. Faber & Mazlish’s is don’t try to solve the problem yourself, just try and get those children to say (or even better write down) what’s bothering them about their brother/sister. Once that’s out in the open, they may even figure out what to do about it themselves. We tried it and – trust me – it worked.
The complete list
JR McNeill & Peter Engelke, The Great Acceleration
Frank Pieke, Knowing China
Daniel Pink, A Whole New Mind
Susan Cain, Quiet
Ray Dalio, Principles
Lara Alcock, Mathematics Rebooted
Rebecca Solnit, A Field Guide to Getting Lost
Leo Goodstadt, A City Mismanaged
Timothy Morton, Being Ecological
Pat Barker, The Ghost Road
Martin Rees, Our Final Hour
Tyler Cowen, Stubborn Attachments
Timothy Morton, The Ecological Thought
Manjushree Thapa, The Tutor of History
John McPhee, Draft No. 4
Adele Faber & Elaine Mazlish, Siblings Without Rivalry
Dante, The Divine Comedy
Lionel Shriver, We Need to Talk About Kevin
Joyce Carol Oates, Carthage
Zadie Smith, White Teeth
Xi Xi, My City
Eve Babitz, Slow Days, Fast Company
Various, Being HK
Nigel Collett, A Death in Hong Kong
Xi Xi, A Girl Like Me
Virgil, The Aeneid
James Scott, Against the Grain
Karl Popper, All Life Is Problem Solving
Ursula Le Guin, The Tombs of Atuan
Ursula Le Guin, No Time to Spare
Twyla Tharp, The Creative Habit
Franklin Foer, World Without Mind
Ursula Le Guin, The Left Hand of Darkness
Confucius/Simon Leys, The Analects of Confucius
Sheila Heti, Motherhood
Bill Burnett & Dave Evans, Designing Your Life
Ian Stewart, Nature’s Numbers
Mike Michalowicz, Clockwork
Donna Tartt, The Goldfinch
Matthew Walker, Why We Sleep
Rebecca Solnit, Hope in the Dark
Philip K Dick, Flow My Tears, The Policeman Said
Peter Adamson, Classical Philosophy
Machiavelli, The Prince
Mary Clarke & Clement Crisp, How to Enjoy Ballet
Cas Mudde & Cristóbal Rovira Kaltwasser, Populism
Charles Lindblom, The Market System
AL Kennedy, Looking for the Possible Dance
Mario Vargas Llosa, The Bad Girl
Shen Fu, Six Records of a Floating Life
Han Kang, The Vegetarian
Mikel Dunham, Buddha’s Warriors
Yoko Ogawa, Hotel Iris
Elaine Feinstein, It Goes With the Territory
Homer/Emily Wilson, The Odyssey
Richard McGregor, Xi Jinping: The Backlash
Shiona Airlie, Scottish Mandarin
Jeannette Ng, Under the Pendulum Sky
Otessa Moshfegh, My Year of Rest and Relaxation
陳冠中, 我這一代香港人
Muriel Spark, Reality and Dreams
Muriel Spark, The Driver’s Seat
Mary Beard, Women and Power
Lauren Groff, Fates and Furies
Carlo Rovelli, Seven Brief Lessons on Physics
Anne Carson, The Beauty of the Husband
Francis Fukuyama, Political Order and Political Decay
Antoine de Saint-Exupéry, 小王子 (The Little Prince in Cantonese)
Pat Barker, The Silence of the Girls
Joan Didion, The Last Thing He Wanted
Walter Scheidel, The Great Leveler
Shoshana Zuboff, The Age of Surveillance Capitalism
Hannah Arendt, Eichmann in Jerusalem
Svetlana Alexievich, The Unwomanly Face of War
Marguerite Duras, Blue Eyes, Black Hair
Karl Polanyi, The Great Transformation
Chuang Tsu, The Book of Chuang Tsu
Cathleen Schine, The Weissmans of Westport
Patti Smith, Just Kids
Timothy Morton, Humankind
Various, 香港語文: 聽陳蕾士嘅秘密
Edna O’Brien, Time and Tide
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Moonbase – It Don’t Matter (Feat. Anderson .Paak) (Official Music Video) Sydney, Australia-based producer Moonbase teams up with GRAMMY-nominated artist Anderson .Paak to shoot a video for their latest collaboration titled “It Don’t Matter.” Watch the black and white Matthew Chuang-directed footage below.
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NEW POST: Moonbase - It Don't Matter (Feat. Anderson .Paak) (Official Music Video) (http://www.rapwave.net/2017/02/10/moonbase-it-dont-matter-video/)
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Nokian Tyres - “Beautiful journey”
Agency: TBWA Helsinki Executive Creative Director: Jyrki Poutanen Creative Director: Erno Reinikainen Copywriter:Tuomas Perälä Account Director: Noora Murremäki Marketing Manager: Anu Moisio Agency Producer: Mika Sylvin Production Company: Thirsty Producer:Niels Kau Line Producer: Claus Møller Dop: Matthew Chuang & Sturla Brandth Grøvlen Art Direction: Christian Rathman, Mads Jørgensen & Lasse Vejby @ Wonderland Editing:Emil Gundersen & Rune Milton Sound Design: Kevin Koch Music composer:Jonas Larsen VFX & Grading: Mikael Balle @ Mikael Balle VFX
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You Won’t be Alone – Film A Shape-Shifting witch learns what it means to be human in creative art-horror offering. Set in an isolated mountain village in 19th century Macedonia, YOU WON'T BE ALONE follows a young girl who is kidnapped and then transformed into a witch by an ancient spirit. Curious about life as a human, the young witch accidentally kills a peasant in the nearby village and then takes her victim's shape to live life in her skin. Her curiosity ignited, she continues to wield this horrific power in order to understand what it means to be human. Director: Goran Stolevski Cinematographer: Matthew Chuang
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The six pictured films are not only ones I’ve seen at the 2022 #sundancefilmfestival. I’ve also had the pleasure to interview individuals from each of them over the past week. On the Sonic Cinema Podcast you’ll be able to listen to me talking with production designer Alexandra Schaller (“After Yang,” top left), director @christiantafdrup (“Speak No Evil,” top right), cinematographer Matthew Chuang (“You Won’t Be Alone,” middle left) and composer Nathan Halpern (“Watcher,” middle right; “The Martha Mitchell Effect,” bottom left; “Emily the Criminal,” bottom right). Over the next week you’ll be able to hear all of them; some of them are my favorite discussions I’ve ever had. All the films are worth discussing, as well. #sundance #sundance2022 #filmcriticlife #movies #cinema #films #afteryang #speaknoevilmovie #youwontbealone #watchermovie #themarthamitchelleffect #emilythecriminal https://www.instagram.com/bmskutle/p/CZP9l0YpMLh/?utm_medium=tumblr
#sundancefilmfestival#sundance#sundance2022#filmcriticlife#movies#cinema#films#afteryang#speaknoevilmovie#youwontbealone#watchermovie#themarthamitchelleffect#emilythecriminal
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Pyjamas disney pour enfants
Présidant l'Académie Bal pour la première fois, Ho a mené une belle performance musicale, 'Le Code édénique», avec Andrew Yuen, vice-président conjoint de SAPA, ainsi que membres du comité organisateur de sucrerie Chuang et Ronald Kwok sous le parrainage d'un groupe de distingué guests. L'événement a coïncidé avec les débuts de la Ferrari F12 Berlinetta, le V12 le plus puissant dans l'histoire du Cheval Cabré. les clients se sont livrés et ont interagi avec des vitrines en trois dimensions de qui ont utilisé une interaction intelligente de l'animation, des capteurs de mouvement et des médias numériques.'Consumer posté un gain modeste en Juillet, le résultat d'une amélioration des consommateurs les perspectives à court terme », a déclaré Lynn Franco, directeur du Conference Board Consumer Research Center. Une fois Peluche de disney soldes que les dépenses mensuelles sont remplies, les plus faibles affluents fortunés n'ont pas grand-chose sur qui se livrer dans le luxe. 'De plus, «apprend» les préférences des acheteurs et offre de nouvelles sélections basées sur les besoins précédents qui augmente les revenus de l'entreprise et satisfaction. L'Association internationale des fabricants de place walt disney (IDMA) a lancé une page Facebook dédiée à la 35e Crès mondial du diamant, qui est prévue du 14 Octobre à 17 à Mumbai. Les pièces ont été faites par le Harry Winston Diamond Corp. Avec une combinaison unique de couleurs, tailles et qualités, les Murowa «Specials» comprennent un 35,41 carats de fantaisie diamant de couleur jaune, Helios, du nom du Titan grec des sociétés diamantaires Sun. Les ventes de boutique disney champs élysées horaires ont augmenté de 20,2 pour cent à taux de change courants à 243 millions d'euros (347,6 millions $) en raison des fortes ventes de son B. Prenant sa référence de la déesse romaine et fils de Zeus, l'Argyle Athena a été mis au jour de la mine australienne plus tôt cette Vêtements disney pour bébés année. Dior a lancé avec «succès extraordinaire» de la montre Dior VIII. Bien que Jet était à l'origine pour les Disney Boule à Neige Aurore Large Choix de deuil victorienne, W Hamond a ouvert un tout nouveau marché dans le monde entier pour la pierre.Ce au détail de la lettre inclus Matthew A. Reine Perle Reine journee disney Chi Huynh est à la fois un bijoutier et un artiste. À notre avis, par le financement, la promotion et l'avancement de ces efforts, nous allons également atteindre une plus grande confiance des IDMA Trésorier Stéphane Fischler, parlant en sa qualité de président de l vente privee sejour disney 2016, a déclaré: «Nous espérons Disney Pas Cher que notre contribution [s] encouragera d'autres dans l'industrie à se joindre à cette campagne et pour aider à construire une base solide pour l'excellent travail de DDI en Afrique et Amérique du Sud. Wilson Yuen, président de l'ICA, a déclaré que les prix UI a donné colorés pierres précieuses les efforts de promotion de l'industrie une impulsion majeure. Situé dans un emplacement privilégié, au coeur de la zone commerciale de luxe, en compagnie d'autres magasins de renom tels que LVMH, Bulgari et Chanel, elle est aussi la première opération entreprise de vente au détail à base de néerlandais à l'intérieur Ginza.
www.soldedisney.com/
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Scholarships2U with Khoo Hsu Chuang
Scholarships2U with Khoo Hsu Chuang
We are delighted to host Scholarships2U at The Artisans Haven Convention Centre. Matthew Gan speaks to Khoo Hsu Chuang about his business.
Scholarships2u.com is the go to platform at unlocking study scholarships from both local and global institutions. With millions worth of scholarship dollars awaiting to be awarded to…
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